How are themes of colonialism, freedom and tyranny presented in the opening chapters of ‘Purple Hibiscus’?

Chimamanda Adichie attempts to “delve into the violence, corruption, and hopelessness of Nigeria…under Generals Ibrahim Babangida and Sani Abacha”[1] through the mirroring of Kambili’s father as well as the burgeoning development of Kambili herself. Which is, indirectly, in conflict with this restrictive regime both externally as a representation of Nigeria’s post-colonial civil wars and internally,... Continue Reading →

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